JAKE PALTROW

I first saw 'They Shoot Horses, Don't They?' when I was very young. Its transporting qualities were so strong that I felt like I had lived it. Only recently, with adult eyes, was I able to metabolize how tragic a tale it really is.

If you have a success in your life, why can't we hold on to that? Why can't that be good enough for a lifetime; why do we always have to be ramping up?

'La Notte' is my favorite of the Antonioni pictures and my favorite work of the master cinematographer Gianni di Venanzo, who also shot '8 1/2' for Fellini.

For city dwellers like me who don't get to vacation in the summer, no filmmaker can so effectively make you feel like you went to France for August, fell in love, got hurt, broke up, grew up, and figured some things out - all in 90 minutes or so. My favorite of Rohmer's cinematic escapes is 'La Collectionneuse.'

Bergman made countless masterpieces, but for one reason or another, 'Winter Light' stays closest to my heart.

Bergman made countless masterpieces, but for one reason or another, 'Winter Light' stays closest to my heart.

For city dwellers like me who don't get to vacation in the summer, no filmmaker can so effectively make you feel like you went to France for August, fell in love, got hurt, broke up, grew up, and figured some things out - all in 90 minutes or so. My favorite of Rohmer's cinematic escapes is 'La Collectionneuse.'

I first saw 'They Shoot Horses, Don't They?' when I was very young. Its transporting qualities were so strong that I felt like I had lived it. Only recently, with adult eyes, was I able to metabolize how tragic a tale it really is.

'La Notte' is my favorite of the Antonioni pictures and my favorite work of the master cinematographer Gianni di Venanzo, who also shot '8 1/2' for Fellini.

If you have a success in your life, why can't we hold on to that? Why can't that be good enough for a lifetime; why do we always have to be ramping up?