GARY KEMP

I am a person who holds the aesthetic high. I have suits made in Savile Row.

My brother Martin is two years younger than me. There has never been any competition between us - clearly he was the good-looking one; he was also very sporty, and I am not a football player.

I keep my house tidy, because then I can think clearly. I feel the same about myself. Presenting yourself well is a working-class thing - my dad was a printer, but he wore a tie most days. The ungroomed look belongs more to the middle classes.

Your life is the same wherever you go.

Punk was sort of an angry stance against things that had happened just before, against the pop of glam rock, against progressive rock. Music had become very staid and it was about the playing and people obsessed. Eric Clapton was God and we needed an enema within the art form, and punk did do that.

We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.

I'm an atheist. I don't 'believe' at all.

My instinct is to be very controlling.

I certainly wasn't a fan of Thatcher's politics. People liked to label us as children of Thatcher. What nonsense. The real children of Thatcher came in the 1990s, and had no interest in politics. The Oasis, Britpop scene.

I've always thought that actors wanted to be pop musicians and pop musicians wanted to be actors.

We were on the cover of Women's Wear Daily, which was hardly rock 'n' roll, but it pleased me.

It's a shame because we experienced probably the greatest thing - in art, in pop - we'll ever do. And it would be good to sit around and talk about it.

I am a metrosexual and into male grooming - I moisturise, I exfoliate.

I think I tried to control situations within my first marriage and I wasn't the easiest person to live with.

Maybe I've got to admit that what I did here was enough. I can make some more films. Maybe I'll direct a film. Maybe I'll have my musical put on stage. But nothing, really, to be absolutely honest, competes with making a very successful pop band for 10 years of my life.

Songwriting helps me sort out my personal problems. With acting, you're just a tool for someone's ideas.

The thought of going on tour with people like Toyah Wilcox is just appalling. I'm certainly not tempted.

It's always an honour doing anything for your country.

I think my younger self would be more amazed to know I was doing an interview for 'The Spectator.'

For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.

Pop music should be about young people.

I've been through Hell with some of the members of my old band, and Hell is highly stressful.

Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.

My father had inklings of my cultural aspirations. He would take me to the library, things like that. But he wasn't one of those dads who had read George Orwell and was a member of the Communist party. We had no books at home.

I detest that saying 'Everything happens for a reason'; it's nonsense.