DARA HORN

I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.

Love your fellow, and not just those who agree with you.

My siblings and I had this theory that my parents were spies.

Good books leave an impression. Great books forever alter the way you think about what it means to be alive. You Disappear is not just a well-told story, but a dramatic recalibrating of what it means to have a mind-and a soul.

I think all parents have a double life.

And the reward when good people die - her mother paused, swallowed, paused again - the reward when good people die is that they get to help make the people in their families who haven't been born yet. They pick out what kinds of traits they want the new people to have - they give them all the raw material of their souls, like their talents and their brains and their potential. Of course it's up to the new ones, once they're born, what they'll use and what they won't but that's what everyone who dies is doing, I think.

I wanted to explore the kinds of hope and doubt, faith and disappointment, that shape the next generation, whether consciously or not. I suppose, in all of my work, I'm always going back in time.

Writers and believers live their lives haunted by the same question: What happens to our days once they disappear? The objective fact is that each day that passes is lost forever, as forbidden to us as the dead. But prayer and fiction offer a different answer. Those lost days still live among us, written in each person's hand, turned into stories.

Time itself is created through deeds of true kindness.

The books are like children in that having written one doesn't make writing the next one any easier, because it's a new set of problems and a new set of challenges with each one, and having dealt with one before means that you now know how to do it.

Commanded by God dozens of times in the Hebrew Bible to remember their past, Jews historically obeyed not by recording events but by ritually re-enacting them: by understanding the present through the lens of the past.

The books are like children in that having written one doesn't make writing the next one any easier, because it's a new set of problems and a new set of challenges with each one, and having dealt with one before means that you now know how to do it.

Memory as an article of faith often comes naturally to writers, who by temperament are likely to be diarists and record keepers, forever searching past events for elusive patterns - and forever believing that such patterns are to be found.

My siblings and I had this theory that my parents were spies.

Sibling relationships figure in a lot of my books. You don't often see relationships between adult siblings explored in fiction.

Every person has a legacy. You may not know what your impact is, and it may not be something that you can write on your tombstone, but every person has an impact on this world.

I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.

I wanted to explore the kinds of hope and doubt, faith and disappointment, that shape the next generation, whether consciously or not. I suppose, in all of my work, I'm always going back in time.

I'm a person who always wanted to turn my life into an archive. Social media made my dream come true.

The way I express ideas is through the plot, Suspense is an important part of expressing an idea.

I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.

I think all parents have a double life.

Writers and believers live their lives haunted by the same question: What happens to our days once they disappear? The objective fact is that each day that passes is lost forever, as forbidden to us as the dead. But prayer and fiction offer a different answer. Those lost days still live among us, written in each person's hand, turned into stories.

The wicked will run to the iron bridge, but it will collapse under their weight. The righteous will cross the paper bridge, and it will support them all. Paper is the only eternal bridge. Your purpose as a writer is to achieve one task, and one task only: to build a paper bridge to the world to come.

Good books leave an impression. Great books forever alter the way you think about what it means to be alive. You Disappear is not just a well-told story, but a dramatic recalibrating of what it means to have a mind-and a soul.

Time itself is created through deeds of true kindness.

Children are often envied for their supposed imaginations, but the truth is that adults imagine things far more than children do. Most adults wander the world deliberately blind, living only inside their heads, in their fantasies, in their memories and worries, oblivious to the present, only aware of the past or future.

And the reward when good people die - her mother paused, swallowed, paused again - the reward when good people die is that they get to help make the people in their families who haven't been born yet. They pick out what kinds of traits they want the new people to have - they give them all the raw material of their souls, like their talents and their brains and their potential. Of course it's up to the new ones, once they're born, what they'll use and what they won't but that's what everyone who dies is doing, I think.

Love your fellow, and not just those who agree with you.