CINDY WILSON

I have a good time doing 'Give Me Back My Man.' Keith Strickland can really fly on the guitar.

I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.

We're playing small clubs and doing it all in a van. I have management, and they've done a good job of getting our tour plan together, but we're still having to go and rent the vehicles and all the little things you need to do. You really have to watch your budget.

With the solo stuff, it's like starting over from scratch. It's rolling up your sleeves and getting down to work.

It's time to do something different. Mind you, I'm grateful to have my career with The B-52s, but it's nice to have fun and play with my voice.

Athens is one of those cities that is very livable. And it's inexpensive. You can get by. And that makes for creativity. So people tend to stay there. I still have some friends there that never left.

It's wonderful to hear strings on 'Planet Claire'.

Tame Impala and I love the psychedelia. To me, it sounds like Blind Faith and old bands from back in the freak days. It just hit a nerve to me. I was just really feeling that sound.

A lot of people love men that rock; I love men that love a good melody and a good harmony.

It's incredible to have people come up to you and tell you that you changed their life when their life was really, really dark. That you brought some light in. You also learn that it's OK to be a weirdo and not follow the rules.

Life is nutty, so it's good to sing and have a good time.

Athens is an amazing city for creativity. I bought a house there. A little, tiny place.

Putting beauty in your life can be an amazing therapy. I love harmonies and a good melody.

I've told older friends to pick up the guitar because it's a great way to express yourself. It's not all about making money: it's about creating art and working with other people. It's a journey, and it's a really fun thing to do.

That's what it's all about: learning and taking this journey. It's wonderful.

We all have a hidden mystic quality if we can learn and trust to tap into that power.

Music is a wonderful way of healing and helping get through things.

If something's upsetting me, being able to go in and work on new music makes all the difference in the world.

You try to stay in the moment and act like you're singing the song for the first time. You try to have a good time yourself. That's the most important thing. If you're having a good time, people will join you.

I came to work one day, and Ricky was playing music on his guitar, just snickering. He played me the riff that turned out to be 'Rock Lobster,' and it was hilarious. He was just trying to be funny. His guitar style made it moodier, and it really is a driving song, but it does have that funny humor to it.

I had my hair down for a long time. I shaved my head, you know, a couple of years ago. And, then, I started to wear my hair short, and I thought that was cool. But, at the same time, I never want to put rules down on me and say, 'OK, I do this for this and this for that.' I just don't like rules. I don't.

The Sex Pistols came through Atlanta, and I got to go see them. That was historic. It blew me away; it was so much fun. I bought 45s of bands you don't hear about anymore.

People come up to me and tell me how they were in a dark place and our music helped them out. It's mind-blowing. It's not just 'Rock Lobster' or 'Love Shack' - there's much more there.

In the B-52s, we employ a lot of people. It's a machine that keeps it all going, which is wonderful.

You just have to keep at it and budget yourself; be prudent. It's art, so you really don't go into it to make a zillion dollars, but there's definitely bills to pay, and I want everyone in the band to have a salary and whatever they need.