CHRISTINE WOODS

I was a musical theater major at the University of Arizona. And I primarily trained with Marsha Bagwell. It was a classical program, so we did Chekov and Moliere and a lot of Shakespeare.

I was president of the show choir, I was kind of a geek, whatever.

If you've never been on anything before, they're not going to take a risk and give you a huge job 90 percent of the time. There are exceptions to that. I certainly wasn't an exception to that. I had to pay my dues big time, but I wish somebody would have explained, 'Look, your job is not to get work. Your job is to get better.'

I didn't really take a lot of any on-camera classes or anything like that. I really just threw all of my energy into auditioning, and I know that I basically just did things based on feedback that I would get.

If you've never been on anything before, they're not going to take a risk and give you a huge job 90 percent of the time. There are exceptions to that. I certainly wasn't an exception to that. I had to pay my dues big time, but I wish somebody would have explained, 'Look, your job is not to get work. Your job is to get better.'

I was president of the show choir, I was kind of a geek, whatever.

I didn't really take a lot of any on-camera classes or anything like that. I really just threw all of my energy into auditioning, and I know that I basically just did things based on feedback that I would get.

I was a musical theater major at the University of Arizona. And I primarily trained with Marsha Bagwell. It was a classical program, so we did Chekov and Moliere and a lot of Shakespeare.