BUDDY DEFRANCO

I always feel like out of every session that I do, whether it's a record session or even a concert, I like to think that there was something in there that I didn't do before. That's my goal.

Everybody that listens to something hears it differently from their own perspective. And you can't please everyone. Don't even try. Please yourself first and then try to please those people around you that you feel know what you're doing.

Artie Shaw was way ahead of most clarinetists and most jazz players.

When you're playing jazz, you have to somehow overcome that feeling of being intimidated because your aim is to portray that freedom in what you're playing.

Charlie Parker and Art Tatum to me were genius, and I'm right below that. I did, in my own way, do something different on the instrument, and that's the way I'd like to be remembered.

When I heard Charlie Parker, I knew that that was going to be the new wave, the new way to play jazz. From that point on, I was sold with... the idea of bebop.

When I heard Charlie Parker, I knew that that was going to be the new wave, the new way to play jazz. From that point on, I was sold with... the idea of bebop.

Charlie Parker and Art Tatum to me were genius, and I'm right below that. I did, in my own way, do something different on the instrument, and that's the way I'd like to be remembered.

Everybody that listens to something hears it differently from their own perspective. And you can't please everyone. Don't even try. Please yourself first and then try to please those people around you that you feel know what you're doing.

When you're playing jazz, you have to somehow overcome that feeling of being intimidated because your aim is to portray that freedom in what you're playing.

Artie Shaw was way ahead of most clarinetists and most jazz players.

I always feel like out of every session that I do, whether it's a record session or even a concert, I like to think that there was something in there that I didn't do before. That's my goal.