BARRY BOSTWICK

I played a lot of serious parts in a lot of TV movies and early miniseries but what happens is that you get sort of locked into "Oh no, he's a serious actor." Well, I was a serious actor for nine years or 10 years and then I get into comedy and everybody said, "Oh no, he's funny. He can do comedy," and then all of a sudden, you're just a comedy guy.

I'll have the chance to do a production number on A Capitol Fourth.

People have a tendency to cast me more as lawyers and doctors and just rich guys, rich assholes basically, a lot of rich assholes. That's what I'm normally seen as, you know.

In the 60s, if you wanted to be an actor, you couldn't do just one thing.

Later, I even appeared in a Rock Opera with Richard Gere.

Every man over 40 should have a PSA test each year.

I was always this guy who appreciated and loved women and supported them and all those little things that were female-skewed, strong women parts.

You don't have a lot of time to massage a scene into oblivion. It's like you do it, you get a couple of good takes, and then you move on, so you have to be very spontaneous as an actor and have done your homework, and I like that.

Every man over 40 should have a PSA test each year.

Later, I even appeared in a Rock Opera with Richard Gere.

In the 60s, if you wanted to be an actor, you couldn't do just one thing.

I'll have the chance to do a production number on A Capitol Fourth.

I was always this guy who appreciated and loved women and supported them and all those little things that were female-skewed, strong women parts.

I played a lot of serious parts in a lot of TV movies and early miniseries but what happens is that you get sort of locked into "Oh no, he's a serious actor." Well, I was a serious actor for nine years or 10 years and then I get into comedy and everybody said, "Oh no, he's funny. He can do comedy," and then all of a sudden, you're just a comedy guy.

People have a tendency to cast me more as lawyers and doctors and just rich guys, rich assholes basically, a lot of rich assholes. That's what I'm normally seen as, you know.

You don't have a lot of time to massage a scene into oblivion. It's like you do it, you get a couple of good takes, and then you move on, so you have to be very spontaneous as an actor and have done your homework, and I like that.