The requests for blurbs seem to come in waves. I'm not sure what precipitates them. I think it must be excruciating for editors to draft those elaborate letters asking for a blurb, and I know it's torturous for us writers to ask directly. But publishers encourage us to. Rock and a hard place.
I am well aware that the writers of New York, London, and Toronto are more readily noticed, though the shadowy and potent Ozarks Literary Cabal does what it can for me, then nightly joins me for dinner and calls me 'honey.'
A person might see that I've blurbed a certain book and decide they want nothing to do with it! Like, 'If that reprobate Toews likes it, forget it!' So, it's a crapshoot. But it feels good to be able to praise a book that I love or that has been written by a new writer.
I like to encourage young talented writers to try and help them get published and so forth, but that's all. That's the best I can do.
Quite a lot is required of writers these days in terms of, if not promoting the work, then being a representative of the work. It's a difficult thing, really.
For most of us, fanfiction is a non-issue. Even for midlist writers. We will never be popular enough for people to play in our worlds with any frequency. The problem for us is getting people to read and care about our books that much in the first place.
When you're on book tours, you definitely need chocolate. At all times.
Publishers were ever eager for authors to do their own publicity because nobody else was willing to do it for nothing. But then it became clear that if you want somebody to champion the story, there's nobody better than the person who made it all up.
