Writers Collaboration Quotes

I learned what I really love is making films, not the film business. I want to be on the set, meeting with writers, I want that freedom. I love it now.

I'm not famous for my back story investigations; I'm lucky that I work with good writers and it's usually in the script.

If you want to be a director, work with writers and find different ways of telling stories with film, then do a course. This way you can consolidate what you've learnt and use the course to go further.

I have been lucky with writers. None have been real trouble. Some I never met. Some I meet only after the book is finished, and some, the easiest to get along with, are the dead ones. Most become friends.

One of the challenges of being a director is often you don't get to work with your peers. You know, writers can write together, and as a director you get to work with so many wonderful actors and writers and designers. But it's pretty rare that you get a chance to partner in that way with another director.

A big part of directing animation is deciding what you really want to do and making sure it's about something. My favorite thing about animation is the storytelling. You can really dig into the story and spend time with the writers. The writers don't just write and leave.

I never sat down and wrote, but what I do is kind of act as a dramaturge for the piece. I am sitting with the writers. I'm discussing ideas with the writers and concepts. We're debating and having a dialectic where we are taking a lot of different ideas and trying to synthesize them into the right idea. I'm very much a part of that process. That's my job as the director.

I'm not a writer, so I don't know what that looks like, but I can only imagine that you get all those great minds in that room, of those particular writers that created the show, and it's going to be great.

Some writers and producers are currently writing a sitcom for me, so we'll see what happens there. I'm somewhat reluctant to talk about some of the upcoming projects that I'm working on; I've a lot of stuff on the go, including five pictures that I'm looking at producing.

We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.

We're always open to working with other writers, producers, and contributors for channelAPA. In hindsight, the goal is to develop our content and connect with people who have similar visions as we do.