Don't be hard on yourself. And take as many chances, risks, as you can. You've got to be out there adventuring with the voice. Because if you're just a singer for the sake of it, it's not quite enough.
I'm experimenting with my voice. Every day I do different things with it, and if I feel it's appropriate I do it on the record.
I just felt like there was a world of cartoon voices that had to be discovered by me.
The main thing is always try to find different voices for yourself. If you're in your car just driving somewhere you can try to start thinking about a voice you might want to do, like try a British accent.
I think one of my pursuits over the years is trying to answer the question of, 'What else can you do with a voice other than stand in front of a microphone and sing?'
I realized that there was much more to my voice than I'd ever been led to explore and that I could make my own songs.
I always just want to do non-typical voices for some reason.
It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.
I've learned a lot about my voice, and about things I can do with it. Maybe that's why my sound has become a little more pop.
I found my sound through exploring. I was in the studio yelling, going low, trying things, and that's how I found that I have a lot of sounds.
