I mean, the whole idea of movies was it was special to go to see - you went to a movie theater to see something that was magical and amazing, in a very special location.
The sky is the daily bread of the eyes.
But considering that I walked in expecting no complexity at all, let alone the visual wonderments, 'Snow White and the Huntsman' is a considerable experience.
Today's restaurant is theater on a grand scale.
When we go to play, you flip around and flash around and everything, and then they're not gonna see nothin' but what their eyes see. Forget about their ears.
The first virtue of a painting is to be a feast for the eyes.
I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.
The way I see film is I think film is like going out to dinner. I feel it's a banquet. You don't want to have the same food you have at home. You want to go and eat a fantastic Chinese meal or Italian or Greek.
It was tremendously satisfying to watch this color parade.
It was just crazy opportunity to see that whole world and the competitions that we had in the film, like Long Beach, it was just crazy and so much fun. I felt like I lived all those moments in the movie.
Commingling keenly felt emotion, madcap humor, and retina-bursting visuals, 'Missing Link' is a kaleidoscopic cinematic experience unlike any other.
My goal from the very beginning was to make very visually lush, juicy films that you can really sink your teeth into. That's always been part of my modus operandi.
