A woman's outfit says a lot about her.
The villain may be good looking, but his smile is never quite right.
I spy with my little eye a great story.
The silhouette says a lot with very little information, but that's also what the stereotype does.
As soon as you say 'Bunnymen,' I see a trench coat.
You can always tell in a movie when they are setting you up for something. If someone leaves an important object on the table and walks away, the camera will have some way of indicating that to you.
During an open water swim, it's easy to lose your direction. With all the splash, it can be quite hard to see the next buoy, so I look behind it for something bigger, like a tree or a building, and aim for that instead.
My idea was you can't dress for the stage, you have to dress all the time like you're onstage. And so I would just always wear suits or some form of it. I wanted people to know I played music. That was kind of how you would find other people: you would just walk around looking a certain way and end up meeting someone who liked the way you look.
I have this peculiar ability to be able to anticipate mouth movements on screen and fill them with words or sound.
The image onscreen takes you forward, it's the driving force of the piece and it's also the information that you're given.
Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are.
In almost the same way you know what your grandmother looks and sounds like, you know what Bruce Willis looks and sounds like.
A visual image is a simple thing, a picture that enters the eyes.
I think that you can say something in one line with a look that you might need three lines on a page for normally.
Anythin' wrong leaves a kind of impression on the eye; brain trots along afterwards with the warnin'.
