The painter has to unlearn the habit of thinking that things seem to have the color which common sense says they 'really' have, and to learn the habit of seeing things as they appear.
I don't need a coach to tell me what to say. I need a coach to figure out what kind of shirt to wear and how to look at the camera and how to avoid, you know, picking your nose on camera.
I was a floor model at I. Magnin. I'm 5 feet 7, but my legs weren't long enough to be a big-time model. From the knees up, everything is long, but from ankle to knee, if I was in proportion, I'd be 5 feet 9.
Form is the shape of content.
Nobody asked how you looked, just what you shot.
Why do all balls look like they're 150 years old?
I don't think I'm vain... but I do like to be lit well.
At the end of the day it's not a weight contest, it's a visual contest. And it doesn't matter what you say you weigh, if you don't look that big then you don't look that big.
If I wear bright colors or something, I'll tie all my hair back. I don't want to look too like 'Girls Next Door.'
I'm told I either look bigger than I do on television or that I look smaller than I look on television. No one seems to think I look the same size.
I know [people] think I'm taller because it's so close and I look stretched out, but I'm just 4-8.
I always have a full-length mirror next to the camera when I'm doing publicity stills. That way, I know how I look.
When I'm not working, I don't get my hair cut. I don't know what the next character looks like.
I think people think I'm a lot younger than I am because of how I look on screen.
I make pink look pretty damn good.
I thought I was supposed to have a fake six-pack in this scene
Nowadays, performers worry too much about how they look. They're not concerned about what they're really saying to their audience.
I've got bowlegs, so if I do a midcalf look, I look bandy.
I don't see myself as somebody who looks particularly good in photos.
What the work of art looks like isn't too important.
It's like a jigsaw, there's a piece of the puzzle at the beginning and it's the only one and of course it had a lot to do with the way you look. And then you have to have the time to add pieces of the jigsaw.
That's the one thing that's funny about going from modeling to acting. In modeling, you're supposed to think about what you look like all the time. When you're in front of the camera, if you're not considering that, God knows what the pictures will look like. With acting, you have to completely forget it.
I think it's interesting to have a cool character not look so cool, you know?
One of the great things about doing animated movies is that you don't have to dress up or put on make-up.
The principal subject is the surface, which has its color, its laws over and above those of object.
