Video Store Quotes

I grew up in Maine working at a video store and found myself being pulled more and more to on-camera stuff.

I sold Blockbuster because I saw what was coming: the satellite dish, technology that would make the business obsolete in a few years. Why would people go to a store for a video and then have to return it when they had a dish?

I'm not Blockbuster Boy.

Gone are the days of discovering a new musical artist on a listening station at Tower Records; the days of going to the Mom and Pop video store on a Friday night with the kids and simply browsing for a good movie is all but gone, too. Browsing culture afforded the opportunity for discovery. It was an act of fun regardless of a consumerist outcome.

You know, when we were kids, we had to go to a theater to see a movie. And then television came in and you had to wait until midnight to see the one you wanted to see. Now, all you've got to do is go to a store and buy it and you can watch it whenever you want!

When DVD disappeared but before digital distribution came on strong, there were a few years where a movie that didn't get theatrical would just be gone.

In high school, I worked at The Video Room in Oakland, California. It had the largest selection of laser discs in the Bay Area. One guy owned all of them.

I watched 'Evil Dead' when I was 12. I was going through all the horror I could grab. I remember going to the video store and asking for something 'real.' And the guy gave me the 'Evil Dead' VHS. When you're 12, you're not supposed to see that.

I worked at Suncoast Video for two years during the summer in high school.

I went to a state school in Christchurch, New Zealand, and then straight on to the University of Canterbury. But I worked part-time all the way through high school: first with a paper round, then at a fast-food outlet, a video store and a hardware store.

I don't even like DVDs. Honest to God, in my lifetime, I might have rented a dozen DVDs, literally gone into a video store and rented a dozen DVDs in my lifetime, because I don't like to see movies that way. I like to see them on the big screen.

'Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.

Every Friday, my dad would rent three videos. Me and my brother would ask for something with guns or fighting, but my dad would say, 'Come on, think about it.' He'd choose more involving films like 'Pulp Fiction,' and at the end of the night, we'd agree that they were great.

A whole new generation is looking at the videos, and going to the video shop and buying the re-release of the complete trilogy, which you can buy at a reasonable price.

I have a real problem now when I go onto Netflix: it takes me a half hour to pick something out. They've got to figure something out, whether it's their algorithm... Maybe if they had it curated like a video store: 'Will Ferrell recommends this movie' or 'Jennifer Lawrence recommends these 10 movies.'

When I was a kid I wasn't allowed to watch horror movies at all. And actually, one of the genesis points for 'Mandy' and 'Black Rainbow' was this memory I have of being in video stores, reading the backs of videos and looking at the art, imagining some kind of non-existent imaginary film based on that.

The most attention I get is in a book store or video shop when I go to the foreign film section. Sometimes that can be fun, but usually those women want to talk about philosophy or something very dense. It's not like they're tearing off my shirt, you know.

I had grown up working in a video store, and I'd grown up more with film than I had with theater, so I kind of felt a natural call.

My first job ever, I was 14 years old - I was working at this mom-and-pop video store, and they basically paid me by allowing me to take home as many movies as I wanted, and that's how I started watching all the classics and really getting into it.

I went to college in Connecticut, which was when I still lived at home. I worked at a video store, a wine store, and did odd jobs here and there like landscaping.

I grew up watching Sean Young films with my father; we've always been huge fans of hers. A surprising fact is that she loves to work on comedies, which was great for me to hear, because then I could ask her a million questions about 'Fatal Instinct,' which was a VHS I wore out from the video store.

I was 11 or 12 years old when I first saw 'Reservoir Dogs.' I remember after I saw that film, I kept renting it from the video store because I wanted all of my friends to see it.

I famously stole tons of VHS tapes from a video store I worked in. It was detailed in my special, Laboring Under Delusions. I worked at Tower Video and stole a bunch of videotapes from them, and then got caught and had to return the videotapes. It was a mortifying experience.

I have a video store next to my apartment in Paris, and they still have most of their videos on VHS. A lot of people think Be Kind Rewind is set in the past because they just wipe this reality out of their head, but it is true that there are a lot of movies that don't exist on DVD. But I'm not like a big movie buff.

I was lucky because I used to live right next to a video-rental store. I used to spend so much time watching films. So I've seen a lot. I used to watch 'Dynasty' and 'Dallas' and have seen every kind of film. I've been influenced by everything I've seen.