Akshay sir is very good at comedy. He has so much energy in him. He not only expresses with his dialogues but also his body. He is like Mr Bean.
Now when I step onstage, I have this hour when I can just be completely myself, just a massive ball of energy. Sometimes I get so lost in the performance, people look a little frightened - but that's a good thing.
Catch Harry Belafonte. He's got a helluva rhythm section.And so have the Pointer Sisters. And that little guy with Sammy Clayton. He plays the whole show with 40 members.
I take the stage as a man in his fifties and walk off the stage like a man in his twenties.
People like to see Ravi Teja as a vibrant, massy character. We needed to do something more. So I gave him the extra flavour of the cop character and high emotions. And Ravi did a good job.
For the sound we produce, everybody is equally important. Each of us has a very different personality and that is what keeps Bush alive.
Whenever I listen to a children's orchestra, I learn. They feel everything, they enjoy everything, they have amazing energy.
The Bolshoi style is bigger and more emotional, in a way that I love. It has the freshness and intensity that is like what I've tried to achieve in my dance-acting roles.
One thing you have to have when you act is energy.
I've seen productions where it feels like the actors are just tired and want to go home. That is one of the challenges doing theater - especially a long production - how to keep it alive for yourself and the audience.
