With 'True Blood,' you don't know what to expect. You don't know how wild it's gonna get.
Things can change on a daily basis in television. You can be introduced to aspects of your character that you had no idea existed because they didn't exist a week before. The next week it might be taken away from you in some way that you can't control.
I really respond to human scripts, scripts that are raw and real and risky. I love playing scary characters - not horror film scary, but vulnerable scary.
They also work as half-hours. The stories are all different but include elements of revenge, or the supernatural, or some sort of surprise.
Stories took twists and turns down fairy-tale paths or down very human everyday ones. You think you’re at the end of the book, and it’s only the end of a chapter.
I like a show to unfold and keep presenting itself, surprising you.
I've said in many interviews that I like my fiction to be unpredictable. I like there to be considerable suspense.
I think that's where reality TV works - you don't know where it's going.
The greatest thing about 'New Girl' is that you never can predict what is next!
The good thing with 'Insidious' and 'The Further' is that it's so nebulous, this supernatural world, that it allows you to bend things. There's a lot of room, it's very malleable, like how in the second film we had a lot of time travel.
