Universal Emotions Quotes

Yet, it ought to be obvious that good music generally occupies a higher plane that mere politics. Great writers can express moods through melody and capture experiences we share most powerfully - love, lust, longing; joy, rage, fear; triumph, yearning and confusion.

It's just about feelings. And the thing is we - everybody lives exactly the same things. We are all humans, even if you speak Spanish or whatever you speak. That's just - we are humans, and that's really interesting. And I'm sure that we can understand each other even if you don't understand my language.

I didn't have a girlfriend until I was 29, and I thought it was because I'm in a wheelchair. And I realized that it's not that, it's because I listened to what the dismissive part of society was telling me and accepted it as truth. There was nothing that was keeping me from dating or falling in love other than the fact that I was scared of being rejected. And everybody has that fear. That's a universal thing.

It is the individual only who is timeless. Societies, cultures, and civilizations -- past and present -- are often incomprehensible to outsiders, but the individual's hungers, anxieties, dreams, and preoccupations have remained unchanged through the millenia.

One of the pillars of 'Cyrano' is recreating a love story and, like any archetype, these great stories tend to be captivating, among other things, because they are made of those universal things that move us.

Everyone is a Wordsworth in certain moods, and every traveler seeks out places that every traveler has missed.

The past is not dead; it is not even past. People live on inner time; the moment in which a decisive thought or feeling takes place can be at any time. Timeless feelings are common to all of us.

One of my theories is that the hearts of men are about alike, no matter what their skin color.

Biologically we’re all the same. We all get sad, we all get happy, and we all die. Anyone who pretends that that’s not the case is either a sociopath or utterly delusional.

Just because you don't know if other people are experiencing the same thing as you are, it doesn't mean that it's not happening. Everybody doesn't necessarily share everything. Just know that what you're going through, other people are going through it, too.

We're stuck in fear and in not wanting to cross that most important bridge of understanding that we're more alike or not. We all cry, we all laugh.

I think we go through the world feeling alone and singular, and you forget that your one story is probably the same as millions of people's stories. Maybe with different specifics. But a lot of people experience the same things.

I write songs about love because, above all, love is the most human thing we have together. Feelings are a part of us every day. You feel things every day, no matter where you are. So that's what I write about.

Love songs last because they are about feelings that don't change.

No matter who we are, no matter what our circumstances, our feelings and emotions are universal.

What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time. These feelings are permanent and the same; that which interests them is permanent and the same also.

Art is a microscope which the artist fixes on the secrets of his soul, and shows to people these secrets which are common to all.

When it comes to pain, love, joy, loneliness, and fear, a rat is a pig is a dog is a boy.

You see my tears, in the rain underneath it all, we're just the same.

At last I understood that the way over, or through this dilemma, the unease at writing about 'petty personal problems' was to recognize that nothing is personal, in the sense that it is uniquely one's own. Writing about oneself, one is writing about others, since your problems, pains, pleasures, emotions—and your extraordinary and remarkable ideas—can't be yours alone. [...] Growing up is after all only the understanding that one's unique and incredible experience is what everyone shares.

It is the assumption of this book that there is a typical human nature. It is the aim of this book to seek it. Just like a surgeon, a psychiatrist can make all sorts of basic assumptions when a patient lies down upon the couch. He can assume that the patient knows what it means to love, to envy, to trust, to think, to speak, to fear, to smile, to bargain, to covet, to dream, to remember, to sing, to quarrel, to lie. The 'smile' of a baboon is a threat; the smile of a man is a sign of pleasure: it is human nature, the world over.

I don't understand racism. We are all the same and I have the perfect hypothesis to prove it. I play to all those countries and they cry in all the same places in my show. They laugh in the same places. They become hysterical in the same places. They faint in the same places and that's the perfect hypothesis. There is a commonality that we are all the same.

For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.

It's amazing when I do a gig how many people of different ages come up to me afterwards and chat to me about songs. The emotions I feel are what any person can relate to. Sometimes I'm just a narrator.