New Zealand was kind of getting a reputation for making middle-of-the-road films that weren't really that unique. They were kind of New Zealand versions of overseas films, and for sure, having an Oscar nomination totally helped me get funding.
The Beverly Cinema in L.A. screens old, artsy movies for half the price of regular theaters. It has an old-school vibe to it. It's cheap, and the selection of movies is always interesting and different. Very romantic!
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are "Fuller-esque," as one might say, which makes them stand apart from any other director's films.
When I was young, I went with my mum to see some really random independent films, which really spoke to me: 'My Beautiful Laundrette,' 'Secrets and Lies'... It wasn't all arthouse, though!
I can't summarize my favorite movie, Jacques Tati's 'Play Time.' You just have to see it.
I hope I can be a filmmaker where every movie will be different, and not make one type of movie. I'm always looking for a character that interests me.
Stanley Kubrick was a big inspiration. People accuse me of never using my own material. But when did Kubrick? You look at his films and they are completely unique... completely separate entities.
The idea is to be different with every film, and I'm glad my mother and my brother, who were sitting besides me during the screening of 'Ek Villain,' forget it was me on screen after the first 15 minutes.
When I go to the movies, I like to see something different.
I've chosen films that are different compared to the conventional Bollywood films we all know and love.
As far as I'm concerned, the coolest word in film is 'cult.'
I really value distinctive movies, movies that feel that they came from a person that was really something that they had conceived and they made and is a reflection of who they are.
It's about finding unique, one-of-a-kind films that I would want to see myself. I think 'Party Monster' is one of those.
I like movies that don't fit in a category. Like, 'Get Out' - that was one of my favorite movies in a long time, and what is that?
I like movies that have strong personalities, and Michel Gondry is so creative that his films are always something special to watch.
I have 30 years of experience working with Leos Carax, so all the films of Leos Carax are unusual or unique. I look at them as a journey: a journey which is very personal to Leos.
