Underrepresented Narratives Quotes

White America has seen to it that Black history has been suppressed in schools and in American history books. The bravery of hundreds of our ancestors who took part in slave rebellions has been lost in the mists of time, since plantation owners did their best to prevent any written accounts of uprisings.

I am optimistic. I think that there are a lot of women producing things, not necessarily in the studios. Actresses are putting stuff together. I think there are more stories about women of color [and] older women. But it is slim pickings.

I think the world should be represented on television and for the longest its been limited. Ethnic stories specifically need variety in content period.

As a Black woman filmmaker I feel that’s my job: visibility. And my preference within that job is Black subjectivity. Meaning I’m interested in the lives of Black folk as the subject. Not the predicate, not the tangent.[These stories] deserve to be told. Not as sociology, not as spectacle, not as a singular event that happens every so often, but regularly and purposefully as truth and as art on an ongoing basis, as do the stories of all the women you love.

When reading about what may be described as the lesser celebrated heroic figures of the Harlem Renaissance, we rarely get a definitive look at just how complicated and sometimes dangerous their everyday lives were. In fact, until the past ten years, many defined the period primarily by its well-known literary, musical, and artistic elements while overlooking the fact there was any political component to it at all.

"Marginalized others" have access to other ways of knowing, and therefore to deeper, more authentic truths about human reality. They can share that knowledge by speaking about their lived experience while in a safe space. But to provide this kind of safety, members of privileged groups, i.e. white, able-bodied, cis-gendered middle class men, must keep quiet.

It's not enough to have a few women's studies courses. Why is it more important to study Paul Revere's midnight ride than it is Susan B. Anthony's 50-year effort to transform the face of America for women? When you're in school, most of the events you study are about men. Men's activities lauded and repeated over and over. What about us? What about commemorating the decades-long struggle for suffrage? Why don't we hear those stories over and over and over again. It's almost inconceivable for men to understand what it would be like to live without that constant valorization.

I feel that, as a person of color, I've always been interested in the stories that are quiet and the stories that often get overlooked.

Women often get dropped from memory, and then history.

We have seen over and over that white male historians in general have tended to dismiss any history they didn't themselves write,on the grounds that it is unserious, unscholarly, a fad, too "political," "merely" oral and thus unreliable.

The absence of any consideration of lesbian consciousness or the consciousness of third world women leaves a serious gap within this conference. . . .

I think we need to have stories about women that don't necessarily fit the trope of the classic woman, because they do exist. We have to show real life on TV and film. And we don't. We only see maybe 5 percent of what real people are really like. I mean, movies set in Los Angeles that don't have any minorities in them - how does that happen?

I personally tend to be drawn to stories that aren't paid much attention to, or stories that aren't on people's radar.

I can actually get involved in getting stories off the ground that no one would ask me to be in because I'm the wrong age, the wrong sex, the wrong nationality, or whatever. I've found it quite exhilarating to have that freedom to tell the stories that aren't just about middle-aged white English guys.

People often ask me if I feel discriminated against as a black female director. I don't. I'm actually offered a ton of stuff. But I only want to direct what I write. And I prefer to focus on black female characters. What's most important to me is to put characters up onscreen who are not perfect, but who are human and flawed.

There are so many untold stories when it comes to great women of color.