I tend to like writing characters that are not typical heroes.
I loved 'Welcome to the Dollhouse.' That was one of the most influential movies ever. You know that genre with the nerdy girl, and she redeems herself in the end. Like 'Napoleon Dynamite.' And in 'Welcome to the Dollhouse,' she doesn't. She sucks. It's like, that's what's real. That's what's heartbreaking.
My heroines, more often than not, are the ones who are troubled and resistant.
It's so often that I read for the bouncy, sunny girl men fall in love with who will solve all the romantic problems in the narrative. I don't choose to work that way.
To me, there was something moving about the idea of telling the story of a lady who is, in a way, a forgotten character - someone who would normally be a secondary role in a movie.
I personally believe that I'm a very unconventional heroine. And for me to be cast in some very nice films and whatever little name I have made for myself, I feel proud of myself.
Rapunzel is a bit more relatable than the other princesses, especially because she doesn't even know that she's a princess until the very end of the movie. I like to think of her as the bohemian Disney princess. She's barefoot and living in a tower. She paints and reads... She's a Renaissance woman.
One of the cool things about 'Patti Cake$' is that it is about someone that is against stereotype.
I like anti-hero women. Negative female characters interest me.
I feel like you can't get an audience to like your character if she's actually cool, but you can if she's trying to be cool and sometimes fails.
For a woman who didn't want to be an actress, who is too tall, lanky, shy, and who didn't fit into a Hindi conventional heroine, I am overwhelmed that my audiences have accepted me in India and the world.
I think I always had an unconventional career because I didn't fit the mould of the conventional heroine.
I look for a good story. Usually the best stories are the ones that are unbelievably true. 'Soul Surfer' is one of those stories.
I really don't know why Scarlett has such appeal. When I began writing the sequel, I had a lot of trouble because Scarlett is not my kind of person. She's virtually illiterate, has no taste, never learns from her mistakes.
A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.
Yes, I always played the bad woman. I actually did.
