The first time I read 'Leftovers,' I didn't get it at all.
Things either become unclear in a story or they're just ambiguous with no real point. So defined gray area with clarity that also works in the narrative, that's tricky.
I write, and when see a movie in which it's supernatural, some other worlds, or some other aspect to our world that we're not aware of, and [they] don't explain what the rules are, that kind of stuff drives me crazy.
'Paquita' has a patchy history, beginning in 1846, and a patchy plot.
The question is: Where would it get you if something that's a little bit ambiguous in the movie is made clear? It doesn't get you anywhere.
I look at 'Straw Dogs' as a very imperfect movie. It's a little bit slow, and its themes are a little bit murky.
If you have your movies so that everyone understands everything, I think that's probably not a very good movie.
What I've learned is that the most troublesome people don't tell you 100% of the story, and keep some facts to themselves. They just don't give you the full picture, and that's very worrisome to me.
The thing I loved about Alfred Hitchcock is that he left a lot of open ends there, a lot of clues that didn't really add up the way you think they would, and sometimes, not at all.
