I grew up in south London, and I remember watching the scene pop off in East and think, 'Ahhhh, I would love to be in Bow E3 right now spitting wid Wiley and Dizzee.'
My older sister was into grime, so she got me into it. When I was ten, I begged her to take me to my first house party, where there were decks and a mic. I ended up falling asleep standing up in the corner.
I'm on the rise and whatnot, but I'm not the man to say, 'All right, world, here's grime.' It's gonna take me, Skepta, JME, Novelist and Lethal Bizzle, to say, 'I'm sick, he's sick, he's sick, he's sick'. Not one man can do it.
I've always wanted to work with Klashnekoff. He's been around for years! He's sorta my age but he is dope. The flow, the lyrics, it's just dope music.
Grime's always been big at festivals. Grime's always had an underground crew.
No U.K. rapper has been in my position; there are loads of big rappers like Tinie Tempah or Skepta, but no one has done what I have: had mainstream success with underground music and pop music.
Grime is now a very talkable subject.
People can't look down on grime anymore, it's an established British genre.
When I got a little older I was obsessed Lil Wayne. But then it was just as many British rappers - Dizzee Rascal I would always listen to.
I first heard Loyle Carner on SoundCloud in 2014.
I know a lot of grime artists started off on pirate radio, but I missed that era; I was way too young.
I am looking to get into the grime rap U.K. scene.
Britain is not just One Direction, Little Mix, and James Bay. There's Skepta killing it, there's Krept and Konan killing it.
I think the grime scene is one of the sickest, most diverse scenes ever.
Beyonce's 'Bow Down,' to me, that could be a grime tune. If it's electronic and 140-ish bpm, and people go crazy to it, to me, that's grime.
It's not just my music. Not everyone just listens to grime now 'cause of Skepta. They like how we speak. They like the slang. They like how we dress. They listen to the music. It's everything.
I was making grime before anyone else.
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
