Three-Dimensional Space Quotes

Photography sees surfaces, it doesn't see space. We see space but the camera doesn't.

Our universe - it's three-dimensional, but we can pretend it's two-dimensional so it's like this sheet of paper - and we live in Pasadena over here and London is over there, and it's thousands of miles from Pasadena to London.

But technology is the real skin of our species. Humanity, correctly seen in the context of the last five hundred years, is an extruder of technological material. We take in matter that has a low degree of organization; we put it through mental filters, and we extrude jewelry, gospels, space shuttles. This is what we do. We are like coral animals embedded in a technological reef of extruded psychic objects. All our tool making implies our belief in an ultimate tool. That tool is the flying saucer, or the soul, exteriorized in three-dimensional space.

You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.

By dimension, we simply mean an independent direction in which, in principle, you can move; in which motion can take place. In an everyday world, we have left-right as one dimension; we have back-forth as a second one; and we have up-down as a third.

There is a belief that there is a hyperobject called Overmind, or God, that casts a shadow into time. History is our group experience if this shadow. As one draws closer and closer to the source of the shadow, the paradoxes intensify, the rate of change intensifies. What is happening is that the hyperobject is beginning to ingress into three-dimensional space.

Diamond, for all its great beauty, is not nearly as interesting as the hexagonal plane of graphite. It is not nearly as interesting because we live in a three-dimensional space, and in diamond, each atom is surrounded in all three directions in space by a full coordination.

What's genius about 'Gravity' is that you are close upon the actors, but 3D works best when you have foreground, middle ground and background.

3D prefers you to use wider lenses because when things are out of focus, and yet it's in 3D, it bothers you.

The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury; for the sculptor it is a necessity.

You tend to compose things more in the middle of frame in 3-D than you would in a conventional frame. You can really see composition in 2-D but in 3-D your composition is much more complex. Everything has to be artificially enhanced. But you do gain something else with 3-D: you have a sense of space and heightened reality.

Actual space is intrinsically more powerful and specific than paint on a flat surface.

It's true that language is in a sense linear but that is as obvious as perceptual space is three-dimensional.