When I blow the head off a glass of Guinness or eat a slice of white bread, there are so many bubbles!
Music is about textures as well as melody.
You can show me some stick ice cream and I can tell you if it's good or not just looking at it.
We're not handling things anymore before they arrive on our doorstep. I like to feel how thin porcelain can be, run my hand over a textile, see if I want to sit in a chair.
I practice wearapy: it is a psychology between colour and texture. Take your emotions - what is it that you want to accomplish for the rest of the day? Pick that feeling and channel it into a colour.
You will have to scrutinize the model sharply to find the proportions - how the weight is supported, how each joint is functioning... Look for the color and tone and texture... how the light falls on the figure, especially the face.
I think what really stays with me is the idea that you can write music about the texture of a wall, and everything is in some way connected.
I look at the textures, surfaces, colors, and the individual objects in the painting. And then I wonder: what are the relationships among them? Those relationships are everything.
