And that the Scriptures, though not everywhere Free from corruption, or entire, or clear, Are uncorrupt, sufficient, clear, entire In all things which our needful faith require.
The Bible, however, was not created to be amended and altered with each passing culture.
If the Book of the Law could be forgotten for so many years, who knows what was done to it during those years? Maybe it was lost later, too. And another one replaced it, and that one is no longer the original text. These are questions that perturb me much more than whether it's history or not history.
It is unlawful to add anything to the words of Holy Scripture regarding the sense.
[The Book of the Law]was lost for so many years. And then Josiah decided to celebrate Passover. The text says that "The Passover sacrifice had not been offered in that way ... during the days of the kings of Israel and the kings of Judah" [2 Kings 23:22]. What do you mean? Not in the days of David and Solomon? Never before? And what of the days of the prophets? What happened? That's what I'm anguishing over. If the Book of the Law could be forgotten for so many years, who knows what was done to it during those years? Maybe it was lost later, too.
In some respects the better a book is, the less it demands from the binding.
I have one rule when adapting any text: nothing gets added; all the words are the original author's own. But in the ordering and recreation of the story, I can do as I please, and to me, the heart and the point of 'Dracula' is appetite.
I have suffered a great deal from writers who have quoted this or that sentence of mine either out of its context or in juxtaposition to some incongruous matter which quite distorted my meaning, or destroyed it altogether.
When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.
The author should die once he has finished writing. So as not to trouble the path of the text.
All my editors since Malcolm Cowley have had instructions to leave my prose exactly as I wrote it. In the days of Malcolm Cowley, with 'On the Road' and 'The Dharma Bums', I had no power to stand by my style for better or for worse.
