Talent Support Quotes

I wrote on the Grammys, and a few times for Garry Shandling when he was hosting. I couldn't have enjoyed those gigs more, because I would get to collaborate and try to make people I looked up to laugh, but for the most part, when you're as talented as they are, what they really want is someone who can type fast and whose presence makes them feel in the mood to write and spew and be creative, and I was a good person to have in the room.

We have no companies now, not in the sense that I know, that nurture actors. It's very depressing that, given the money they get, the companies today don't number up in my estimation. They should be bringing on young talent, and they don't.

It's about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there's just not enough black projects being made.

Whenever a youth is ascertained to possess talents meriting an education which his parents cannot afford, he should be carried forward at the public expense.

There is a difference between a great producer and somebody who is a big advocate of your music. Just because you're a big advocate for a band doesn't mean you need to be in the studio with them, and at the same time - we don't need to get into this conversation - you can write a hit, but it might not hit.

One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.

As a designer, design director or any creative person, you have to hire great people, support them and make them feel comfortable so they can contribute and give you their best.

I was looking at making a shift in my career. I've been so blessed I'd like to be able to give that back. If I could find young artists, young performers I can nurture to have a career I would really like that.

I do not believe, as do so many musicians, that genius should be left to fight its way to the light. Genius is too rare, too precious, to be permitted to waste the best years of life--the years of youth and lofty dreams--in a heart-breaking struggle for bread. To starve the soul with the body is to do worse than murder. Think, too, of what the public loses!

To be a good personal manager, you have to be on the case, holding pop stars' hands.

QVB have a long history of supporting Australian talent.

Today I find it's extremely hard to launch one's brand, and that's also why we are helping these young talents.

Seeing how those companies operate, it didn't amount to a massive vote of confidence in their artists. There was talk of me going to Columbia after that, but nothing happened. I got disillusioned, and I pulled back.

I don't presume to describe myself as a creator anymore, but I certainly love the process, and I hope I can do a lot of great things for the talent who are in and around DC.

Ring Of Honor was so great to me and so great to many young talents where they really give you the ball.

If you respect the art and you have some talent about you, I'm on your team.

We have a lot of great stars and so many different things, some of the other countries don't have that. So when they get somebody, they support them to the death. America, I kind of think we take it for granted sometimes.

There is only one proved method of assisting the advancement of pure science-that of picking men of genius, backing them heavily, and leaving them to direct themselves.

Sarah Michelle Gellar's made some really good choices. She's had some bad breaks. She goes with the independent, interesting young filmmakers and then they get slammed, like 'Southland Tales.' I'm proud of what she's trying to do. It's hard.

If an artist knows you have respect for their talent - which I have to feel to my core, to sign them - they know that you're in their corner. That doesn't mean you have to be 'mum' on everything; it doesn't mean you can't raise your voice.

What the rest of the world knows about Mexico is what they see on films and the bad news they see on TV. We need to make films that are worthy of who we really are as Mexicans. We also need to make cinema that reflects the diversity in the region, so that Americans and Europeans know who Mexicans are, who Salvadorians are, who Cubans are, etc. We need to do it, and all we really need is support because we have the talent.

As a producer, I want to back projects, talents, and scripts that speak to me not just as someone from the industry, but as an audience.