In the studio, you can redo things. In concert, you only have one shot at it, so you have to try to be as perfect as possible.
In films, there is no scope to rectify any mistake... but in theatre, you can rectify it the next day.
I think what's different about working on stage is that you have another chance to portray it again. If you don't get something right on film, you can do another take, but on stage, once it's done, it's done. You can't go back.
When you are shooting in a conventional way, you put nets around yourself. It's very hard to fall and hit the ground. You can always manipulate things to make it not embarrassing. If the scene is a little bit bad, you can polish it or even take it out. You can hide your mistakes.
In a play, you only get one chance, and you have to get it perfect. In a film, you can change and fix it whatever way you want, so really, there's a pretty big difference.
I was working in Camden Lock market from the age of 13 to 16, and people often suggested that I should be a model. I knew a girl working on a stall who was with Take Two model agency, so I decided to go along, and they took me on.
You can repeat things because it's on a set and there are actors. But if it's a great moment and you don't capture it, it's rare to get that moment again.
If the director says you can do better, particularly in a love scene, then it is rather embarrassing.
I like to have the actors do their thing. And then brief them what to do differently in take two.
In show business, if you make a mistake, you can do it over again.
One day, we were doing a serious scene and fast talking like we do and we could not stop laughing and the director had to stop the production. We had to go to our trailer and calm down and do it all again.