Being in TV, we get to do it again and again until it's 'right.' There's a part of me that likes the other way, that aspect of theatre where there's no chance to go back.
Woody Allen likes to do a lot of master shots. He likes to get the whole thing in one take, and so you could be going along doing a scene, and then the next to last line, all of a sudden, you stumble, and you have to go back to first base.
Making films can be absolutely fantastic, but it can also be incredibly dull. You spend the whole day sitting by yourself in your trailer and then you get called to deliver one sentence - then you're told to come back and do it again at 5:30 the following morning.
In filming, you're waiting - you're waiting for lights, you're waiting for people to set things up - and when you're not waiting, you're repeating.
When I did that first movie, it was the introduction to all the set-up time and the waiting time that's endemic in motion pictures, and the repetition.
With film, you stop and go. You have to do 20 takes or whatever.
The stage is bigger than life. There you are projecting to an audience. In television, you're drawing the camera in to you. And with TV, there isn't that immediate feedback from an audience. You do hours and hours of taping and never get that response.
Any time you're in front of a camera and have them yell 'Cut, re-shoot the scene,' are you kidding me? That's a huge advantage.
What really helps me is being able to record my albums at home - I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.
You don't get to rehearse much on TV. You are kind of rehearsing on film. Depending on the way you work, that's either a good thing or a bad thing.
I really enjoyed multicamera comedy. You film in front of a live audience, and it's kind of the best of both worlds. It's like doing a one-act play every week, but if you screw your lines up, you get to do it over.
I never have broken up in comedy, ever. There's something about me that I just don't break on camera - maybe because I'm just so cheap, and I know how expensive it is to shoot - but I broke on 'Sordid Lives,' and I broke on 'The Office.' Those are the only two times in my life.
On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.
One of the things you have to get used to, working on a TV show, is filming out of sync.
And film acting is incredibly tedious, just by its nature. It's incredibly, mind numbingly slow.
I learned not to blink in a close-up or move your head at all, because if you did, they wouldn't use it.
In a play, you can adjust your performance to audience reaction, but in a film, it's like you're trapped in a bad dream watching yourself act, and you're in the audience.
In films, the fact that you can always do a scene again takes a load off your mind, enabling you to strive for perfection, which I always wanted.
I think there are certain technical things about acting that change between working in film and television. Everything definitely slows down and we have more time in film.
I've now learned that the most stressful day of filming a TV series is the first day of a new episode. You haven't quite banked the one you just wrapped and are wondering, 'Did I do that right?' 'Could I have done that better?'
Frankly, I think I'm marvelous in rehearsal! Then you turn the camera on, and it gets stiff and tight. And then you trudge back to your trailer feeling sad. That's been my experience of film acting.
Stage acting lets you feel the character a little better, but in the movies, you have to keep regenerating your energy level when shooting scenes over and over again.
Food scenes in movies are traditionally nightmares to shoot - you just can't fake eating, and you usually have to repeat it a lot of times to get the angles you need. It's actually quite a lot to ask of actors, and there's really nowhere to hide.
Working on a film, the setup for an action sequence takes a long time, and we need to shoot the scene many times to get different angles.
There is always a hesitancy with actors, and inhibitions can get into the work, so you have to figure out how to make it feel so loose that you can do anything, and if it is not right, that is okay because we'll do it again.
