I'm the guy who loves being in the supporting cast.
I like being behind the scene.
I'm used to being a small part of a massive production.
I'm a rhythm player. I need to set people up, I need to be in the flow of the game.
It's not my job to critique the writing. I'm there to serve it. I had to figure out a way to make it work.
The Head of Story is defined differently for each film. But I found that the role for me was to support the director's vision, and to be a conduit to the story team - and managing that team to realize the vision.
If there's an interesting role that comes up as a great support role in a decent picture, then I'll do that.
I'm kind of a low-key guy. The spotlight doesn't suit me. I'm more of a side dish--cole slaw or French fries or a Wham! backup singer.
I was a fashion assistant. I bought the fabric. I made sure that everything was smooth in the workroom. And I scrambled all over London on the Tube looking for buttons. It was great.
I always felt my role was like the pit crew in a NASCAR race, and President Obama was Dale Jr.- he's driving, and my job is to change the tires and get him back on the road.
I like having my autonomy; I like going into the vegetable aisle with little fanfare. Very few go into that star category, in that uber above-the-title category. The rest of us, day in and day out, we're there to support what they do.
Personally I'm very happy to be behind the scenes. I like collaboration, I like working with directors.
Nobody would have me in their laboratory for five minutes. I couldn't cut up a frog, and I certainly couldn't perform surgery. I'm better at making it possible for other people.
It is not a lead part, but you could definitely say that 'Devdas' wouldn't move forward if it wasn't for me.
Having been a stunt girl for so long, a big part of my job was to not just make the other person look as cool as they could, but also to act as a support. My job was to make them as safe as they could be, so that they could be as explosive and as emotionally engaged as they could be.
You know, when you're a producer, you're a bit of a lackey. You're just making cups of tea and making sure they've got newspaper, stuff like that.
I think the sidekick makes the number one look good.
Now learning a bit more about footballers I think what they need to do well, is someone who really wants to stay in the background and just be a strong support.
Being an offensive lineman, you always have the mindset of being an unsung hero - a lot of the people who look at the game follow the ball.
I will perform the function of a whetstone, which is about to restore sharpness to iron, though itself unable to cut. [Lat., Fungar vice cotis, acutum Reddere quae ferrum valet, exsors ipsi secandi.]
I'm an athlete rep, so I'll be available if they need me for anything.
The second fiddle. I can get plenty of first violinists, but to find someone who can play the second fiddle with enthusiasm
A guy that's going to do all of the dirty work, that guy that is willing to defend anyone and do the little things and not really care about all of that other stuff. I think every championship team needs that.
I feel like it's important to be flexible, particularly when I'm coming in late in the game and I'm connective tissue in the story. I'm not at the very center. It's important for me to have a certain kind of flexibility and try to help people do what they need to do.
While the recent addition of the National Guard providing a support role manning computers and cameras has allowed more Border Patrol agents to work the field, more agents are still needed.