Studio Access Quotes

After I graduated, I didn't have the resources to go to the studio, which is why I then went to social media.

He happens to be my father and an incredible musician. When he gets lucky, we let him into the studio for 20 minutes to hear a song which has been previously written for him.

Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.

Dr. Dre, my oldest brother, he paved the way for me and Snoop to get a chance to get into the studio. I asked him to show me how to work the MPC-60... I was about maybe 17, 18, right around there.

I didn't start my label out of a business perspective. I did it because I wanted to create a platform where new musicians can have the chance to get into a studio, work with each other, and get their music noticed by a large audience.

The local dudes who knew that my dad owned a studio would say, 'Ahh, dude is spoiled,' and this and that. But we didn't abuse it at all. I'd always ask if we could use the studio first, and if our dad didn't want us there he would tell us, and that was that. But I definitely tried to get down there as often as I could.

If you're serious about your music, there's this thing called The Remix Project in Toronto, and it's an art incubator, and it's basically like free school. If you don't got money for studio, you don't have the networks, they help you.

Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.

If you're an unknown artist you're lucky to get an hour in a studio - it's a hierarchy and if you don't have hits, you don't get recorded again.

Recording in Jamaica is like nothing else. The studios are always closed in America. But in Jamaica, the studio doors are wide open, and there's music blasting out in the street. You can see the reaction of people immediately.