Studio 54 Quotes

I am a disco king.

I was going to Studio 54 when I was 12 years old. It's true. It's crazy.

I was in Studio 54 one time; it was great. But I'm not a discotheque guy. Sometimes, if I had a new demo, I went to some discotheques to check it out - see how the reactions of the people were. But just to dance, I rarely did that.

My father ran a famous L.A. nightclub complete with roller-rink - Flippers - in the early Eighties which was the West Coast's answer to Studio 54.

I was a bit of a mother hen at Studio 54.

I'd only been to Studio 54 a couple of times, when I was 16.

Andy Warhol was a good friend of mine. We used to go to the Studio 54 nightclub together with the likes of Liza Minnelli, and we'd dance through the night.

I'm just a '70s freak.

I didn't live in the world of disco or the world of the Eagles.

People are embarrassed by disco, but I love it.

When I went to high school, in the late 1970s, disco was in full swing and anyone who was into it dressed the part. I know I did.

I was 23 years old. It was a wild time. I was covering everything that blew up - blackouts, Studio 54, son of Sam killer, and all of that stuff.

I've been in every disco in the world. I saw a picture of my wife Shakira and I dancing in Studio 54; I didn't even know someone had taken that picture.

I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.

Studio 54 made Halloween in Hollywood look like a PTA meeting.

The key of the success of Studio 54 is that it’s a dictatorship at the door and a democracy on the dance floor.

I think the first outfit that really kick-started my relationship with Chanel means a lot to me: it was a black, sort of Studio 54-inspired jumpsuit with gold stars all over it, and I wore that, and that's how my relationship with Chanel began, so, you know, it has sentimental value.

I remember lying on the floor of the living room with headphones on when I was four or five years old, listening to the Saturday Night Fever soundtrack.

We used to go to Studio 54 - an amazing place.

New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.

I loved disco music, and I still count Donna Summer as one of my favorites of all time.

Diana Vreeland was "the Empress," the avatar of the age. An old name or old money were not enough to get you into Studio 54 - or Interview magazine, for that matter. You had to have a lot of something else, like looks or brains or wit or fabulous clothes.

I was looking at this picture of Brooke Shields at Studio 54 the other day. Everyone in the shot looks amazing because they have these black and white cameras with a flash. I think that's what photographers should go back to.

I am the godfather of disco.

Disco boy, no one understands, but thank the lord you still got hands.