Street Interaction Quotes

I have crazy friends, so a lot of times when we're out, people recognize me on the street, but they will yell, 'This is Cameron Boyce!' and just run! They do that. Then I'm in the middle of the street with people looking at me.

Sometimes people stop me on the street and they say 'when are you going to make the next 'Zanaka' and it's what I really didn't want to do.

I'm walking out my door to get like a Snapple, and someone's like 'yo man, you want to buy some heroin?' 'No... got any Snapple?'

I know the difference between someone coming up to you on the street and saying, 'Hey, you're that dude, right. Yes, that's what I thought,' and somebody coming up and saying, 'Big fan of the show. Big fan of that character.' And that's nice. You're out there telling stories, you're hoping to find an audience, and it's very appreciated.

Campaigning means talking to people in the street, it's important.

I love the impatience of New York... You ever had somebody not ask you for directions, but demand them? You're just innocently walking down the street, you hear a horn, all of a sudden some guy's like, 'HOLLAND TUNNEL!!!' ...You know, like you were supposed to fax this guy directions. Suddenly, you're wasting HIS time.

In New York, I'll walk down the street and someone will say, 'Nice show,' and that's it. If I'm at a food festival, it's open season.

We were in this park in Canada throwing a frisbee around, and there was a homeless guy there who swore to God I was Mick Jagger. I kept telling him I wasn't, and he kept thinking I was Jagger and wanted to play frisbee with us. Then he heard a siren coming and thought I called the cops - and he ran away!

It's nice when people come up to me in the street and give me a hug, I love it.

I began working within the streets of Harlem, where, after graduating from Yale [University, New Haven, CT], I became the artist in residence at the Studio Museum in Harlem [New York, NY]. I wanted to know what that was about. I would actually pull people from off of the streets and ask them to come to my studio.

If I run into someone on the street, that's one thing. But answering mail for a living? I like a job where you can play and act kind of goofy and have some fun.

In New York you can actually run into people on the street, unlike in California where you're always in the car.

If I'm walking very, very fast down Madison Avenue in the middle of the day, I'll say I'm stopped 10 times.

With 'Urban Secrets,' I just really liked the idea of wandering around chatting to people.

I rode with four street-clothes cops in the East Village. I spent six weeks riding with them every day - in street clothes, with a vest underneath.

Not only do people stop me on the street to say, 'We're walking, we're walking', but I have actually been in restaurants where the hostess was saying it to customers.

I get emotionally attached to someone if I talk to them on the street corner for five minutes.

I used to love it when I walked down the street and construction workers would whistle.

Building places that are worth living in and worth caring about require a certain attention to detail, and of a particular kind of detail that we have forgotten how to design and assemble. And that involves the relationship of the buildings to each other, the relationship of the buildings to the public space, which in America, comes mostly in the form of the street. Because it's only the exceptional places in America that have the village square or the New England green. You know. The street is mostly the public realm of America. And we have to design these things so that they reward us.

Women often stop me in the street.

If someone stops me in the street, they might not want to say something to my face - maybe something about 'Emmerdale' or something personal towards me, good or bad. But on Twitter they are hiding behind their keyboard.

Just go up to somebody on the street and say 'You're it!' and then run away.