I never felt so close to a guitar as that silver one with mirrors that I used on stage all the time.
So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.
As in an organ from one blast of wind To many a row of pipes the soundboard breathes.
It all comes down to the density of the wood. Every guitar's different.
I wanted something very dense, something that would sustain long and more pieces of wood that would be soft, sweet, for more of a mellow sound.
Then I loved the fact that we were actually recording live.
The piano is a monster that screams when you touch its teeth.
My favorite acoustic is the Nancy Wilson Signature Martin.
I could have gone on to be an engineer full time, except that there was more demand for my playing. But the love of working the board never leaves you.
What I think is cool about Fender, and what originally drew me to them, was the Fender electric guitar headstock, which I've never seen on another ukulele. I feel like a rock star when I'm tuning it.
