Single Camera Production Quotes

I come from Venezuela, from the independent film arena, and you work with one camera.

When we made 'Primary,' it was just one camera. We were trying to make ourselves inconspicuous.

A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that.

When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow.

I don't think anybody in my graduating class would have figured that I would be doing full-on single-camera comedies or sitcoms, or anything like that, but it certainly has been a part of my career.

I have worked in animation on 'King of the Hill.' I've worked in late-night with 'The Daily Show.' I've worked on single-camera stuff, whether it was a movie or television. I have performed onstage.

I worked on a weekly one-hour show live from Los Angeles called 'The Dixie Boat Show.' We only had one camera, so there was a lot of panning because it was always on, and anything that went wrong, from actors fluffing their lines to sets falling down in mid-scene, you let it go by.

In Yiddish, we say, 'Nisht ahin un nisht aher.' It's neither here, it's neither there. I get more nerves than on anything I do when I'm doing multi-camera. But single-camera, I love very much.

There's no audience to wonderfully get in your way when you're doing a single-camera anything, whether it's a sitcom or drama or film. And I do mean that in the best way.