I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.
When I auditioned for 'Jessie,' I knew that Disney Channel basically will do 100 episodes of a show if it's a hit; they'll stick with something. It's a great network to work with because they make a nice big commitment to a show.
I would want to do a cooking show. But I want to honor the opportunity that's been given to me with 'Queer Eye.' I feel like my work is cut out for me with the show alone. If it ever goes bust, then I'll explore that possibility.
It's funny because TV wasn't something that I wanted to do. I wanted to do movies. I'd said a lot of no's to a lot of shows previously because I couldn't fathom being on a show for such a long time and only doing one thing.
Everyone is going to have to step up to the plate.
I'll have been doing 'Midsomer Murders' for 14 years by the time 'Barnaby' leaves. I've formed familial ties with the people involved in the show and they will be hard to break.
You want a place where you can say that this is your show that you invested in with other actors, but there's also that flexibility of being a recurring actor.
You see, in America, it's quite standard for an actor to sign, at the beginning of a series, for five or seven years. The maximum any British agent will allow you to have over an actor is three years.
I would never walk off any show.
There is no point in appearing in just a few episodes. If I do a show on television, it won't be for a few episodes only.
It's kind of interesting when you sign on to a show because you're basically signing on to play a character because you only really see the first episode of the show.
