A world ends when its metaphor has died.
All the translations of a poem in all possible languages may add nuance to nuance and, by a kind of mutual retouching, by correcting one another, may give an increasingly faithful picture of the poem they translate, yet they will never give the inner meaning of the original.
A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over.
Fidelity to meaning alone in translation is a kind of betrayal.
Translation from one language to another is like viewing a piece of tapestry on the wrong side where though the figures are distinguishable yet there are so many ends and threads that the beauty and exactness of the work is obscured.
I had thought that words were instruments of precision. Now I know that they devour the world, leaving nothing in its place.
The older I grow the more sharply I mistrust words. So few of them have any meaning left. It is impossible to write one sentence in which every word has the bareness and hardness of bones, the reality of the skeleton.