Selective Process Quotes

If I get a good character, a suitable role, a good producer-director, only then will I do a film.

If I will do a movie in the future, I will take it up only when I'm 100 percent sure about it.

I do pick my projects very meticulously. I want my projects to be meaningful.

Since I'm so slow, I have to be fairly choosy about the projects I take on, and it can't be something that I'm only 'sort of' into. I knew that 'The Stand' would be an amazing challenge every month that would be a blast to illustrate.

I don't control the movies that are offered to me, but I make choices based on certain parameters.

I don't want to do every independent film offered to me.

I am glad that I am in a position to select scripts I would be comfortable working in.

I think I've realized that when you are aiming to create a real body of work, you are as much defined by the things you don't do as by the things you do.

I have been extremely cautious in selecting my films.

You can take a school like the University of Colorado, with a selective admission standard. It has a better caliber student going in, so you ought to have a better caliber coming out.

There are a lot of doors that still get shut, and there are a lot of walls to still breach. But, the stuff that does come across to me, or that I hear about or read about, that I'm willing to go out there and fight for, I still have to go audition. I do have a certain leeway to choose, from that group, what I want to say, as an artist.

I'm not going to do a film unless there's something in it to excite me.

I do a lot of decision making before each shoot. It's a luxury to be able to choose what you do.

I'm always trying to work on scripts. I'm pretty selective. Sometimes maybe too much because I'm broke .

The good part is once I start directing, I can choose the songs I want to do. I'm just selective now when it comes to choreography.

All I can to, and the only sense of control I have over this crazy moviemaking business, is to pick things that I like with people that I love and respect, and then just hope everything else works out.

As the artist picks his way along, rejecting and accepting as he goes, certain patterns of enquiry emerge.

I choose roles according to my sensibilities.

We are being super selective on who we bring in and really just trying to hire the very best.

I think it remains a film-by-film process, and since I am relatively selective and slow, it can take a while.

I've always been selective about my roles.

Admission to the National Academy is highly competitive and selective.

I never look at how many songs I have or how many girls are there in a movie. If I like my character, I play it.

I'm very selective about my scripts and about how I am projected on the screen.

Good scripts that are offered to me are few and far between, so I pick the best that I get.