Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
On TV you can't show landscapes. You just can't. Even a postcard is better.
If you think you can experience the power of the Internet on a 1-inch screen, you've got to be out of your mind.
Phone screens are too small to properly appreciate YouTube videos.
For actors, we always feel like there shouldn't be any divide for anybody. The industry is the one that kind of creates the idea that if you're such-and-such an actor, you can't be on the big screen.
There's a simplicity in typography that demands absolute accuracy... the only way you can experience it is by doing it, and you can't do it on a screen because a screen never gives you the entire picture.
I found that inevitably you cannot fit everything that is in that book into what is inevitably going to go on screen.
