When it comes to casting for movies, it is a priority that you cast right. The guiding principle must be what is right for the movie, that is the basis you cast someone, not because so-and-so is a friend.
I played the mom in Spy Kids when I was, like, 27. So it was ridiculous. But [Robert Rodriguez] was like, "You know what? If we do our job right, no one will question it." And nobody did.
Interestingly enough, my more high-profile things are in uniform. But if you look at my full body of work, there's a lot of stuff that's not in uniform. But I do a lot of stuff in the service, and I think that's just how I'm built physically. It just serves the roles.
I was just the perfect person to play the Mini-Me character.
I don't believe a role can be written keeping in mind some actor. Even if such roles exist, I don't pick them because I generally choose roles that I think will suit my image.
Too many companies believe people are interchangeable. Truly gifted people never are. They have unique talents. Such people cannot be forced into roles they are not suited for, nor should they be. Effective leaders allow great people to do the work they were born to do.
I'm in favor of people getting in where they fit in. Wherever you feel you can make the greatest contribution, you should.
I wouldn't do a film like 'The Dirty Picture.' I have a husband and kids, and I won't be able to do justice to such a role. You need a certain mentality and ease to carry such a character.
I shouldn't be right for every role, because I'm not.
A lot of the time with jobs that I've booked, immediately I'll read the breakdown, or I'll read the script, and I'm like, 'Oh I'd love to do this, but I'm completely wrong for it,' and they tend to be the jobs that I book.
I'd like to think that the door is always open for just the best actor for the role, you know? Race or gender shouldn't have anything to do with it, unless the character or story is focused on that for some particular reason.
I'd love to play Spiderman, but I'm definitely too old for that role now.
The only thing that's required of an actor for an audition is to memorize your sides with confident choices, and then the rest is not up to you. You're either right for a part or you're not.
I don't think I'd have been as good as Bruce was. He was a better JFK than I would have been.
I just think some women aren't made to be mothers. And some women aren't made to be daughters.
I'm trying to find a character that's my age and I can sustain week after week. I'd like to do a series.
I know when an actor goes in to audition, if they don't get the part, it's not because they're a bad actor at all; it's because it's not quite the right fit.
The only reason why I tend to pass on a movie is either I don't think I'm right for the material and can't play it honestly, or because of time constraints with personal things in my life.
I want Maggie Gyllenhaal. I don't know why. I don't think she necessarily looks like me or acts like me, I just think she's a cool actress and she could play me, so there you go.
Matthew's all right. Originally, I wanted Errol Flynn, but McConaughey should be good as Dirk Pitt.
Although it's depressing to admit this, more than a handful of post-'Donnie Brasco' Al Pacino roles would have been better served by Steve Buscemi.
When 'The Lighthouse,' bizarrely, became the film that people wanted to greenlight, it was really clear that those were the only two people to play the roles. And I knew that they would want to do it.
The way it works in Hollywood is that if you're hot it doesn't matter if you're right for the part or not, you're just offered it.
Actors are not always the best judges. We have a peculiar idea of what we think we are, and sometimes it's best left to others to decide what we play.
I would love to act in films if people think I am right for a particular role.
