When I'm directing a film, I can't do any more than appear in a song.
There were some super-lean years, yeah. I'm six feet four. And I entered into this period all of a sudden when I was too big to play a kid and I was too young to play an adult. Like, I couldn't play the lawyer, but I couldn't play the high school kid anymore.
One of the nice things about no longer being Secretary of State is that I can actually answer your questions.
I'm happy that I'm finally getting some lines in my face. I always looked too young for the kind of roles I wanted. It was constraining. My face didn't fit my innards until I reached 40.
While I'm frustrated at the amount I'm expected to take on in the present, the 1950s woman was frustrated by being excluded - not being allowed to take things on at all.
Once you're sort of pigeonholed into something, it's quite difficult to get out of it. I have no aversion to playing a gay character again, but it would definitely have to be the right role.
Why are we never quite at ease in the presence of a schoolmaster? Because we are conscious that he is not quite at his ease in ours. He is awkward, and out of place in the society of his equals. He comes like Gulliver from among his little people, and he cannot fit the stature of his understanding to yours.
I was playing this role on 'Ugly Betty,' the sweetest, nicest guy. He was a fun character to play, but I was in a Latin soap opera - where are you gonna go with a nice guy in a Latin soap opera?
Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.
There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.