I'd stay away from investments in a variety of sectors that are capital intensive. Anyone who says we need $100 million before we know if what we're doing makes sense and the customers want it - that's not going to work.
Luckily, unreasonable expectations go hand in hand with naive young scientists. The more naive the better - otherwise we would never have the audacity to try and build a 22,000-mile-high space elevator or some sprawling underwater hotel.
Things have a tendency in the film business to fall apart more often than they come together.
I've taken challenges with the big risk that it can all go wrong. But that's what I like and I'd rather do that than be safe all the time.
Nobody wants to take a risk with scripts that push the envelope.
The number of businesses that fold due to bad partnerships is staggering. In some cases, they are charlatans, in others inept business people, and others find themselves unable to scale with any growth.
A capitalist economy hums when leading businessmen are bubbling with animal spirits and are prepared to sink their money into risky ventures.
At Casablanca we did 'Midnight Express,' 'Flashdance,' and 'The Deep.' My willingness for risk has always been my strength.
When these inventions of the devil work, then what they achieve is more than amazing; when they do not work, then they achieve less than nothing.
He had just seen demonstrations of new military technology at the German War Games.
If we had only those things which are procured with ease and freedom from danger, we should find the comforts and luxuries, if not many of the necessaries of life, considerably diminished.
Impetuosity and audacity often achieve what ordinary means fail to achieve.
All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.
In my twenties, I was a huge, insane risk-taker.
Congress often covers the exposed crotch of our human spaceflight program with the figleaf of science when it's an obvious lie to justify the pumping of billions of dollars into the belly of an ever-voracious aerospace industrial complex. And yes, of course space is dangerous.
Sometimes on Broadway, you don't know who the investors are, and you end up making a million dollars for somebody awful.
Never ever do business with the government. Be in love with them, never marry them.
The Department of Energy made an investment that failed, and it got raked over the coals for that failed investment. This is ridiculous. The fact of the matter is, the government should be making a lot of risky investments, the majority of which are likely to fail.
If I wasn't doing this kind of exploration, I'd like to be doing some other kind of exploration. It might be more risky, or less risky, but, in the business of exploration, risk is part of the territory.
For someone in my position, there's opportunities to be anything you want to be, even if you shouldn't be eligible, and I think that's left a bad taste in a lots of financers' and studios' mouths. Just cause someone's popular at one thing, letting them do the other isn't always the right thing.
In the espionage world whenever something works, it looks brilliant. Whenever it goes wrong, it always looks like a terrible bungle.
The normal reaction of a publisher when faced with an author with a bee in his bonnet is to grab the check and run.
I love working with really early stage startups where the outcome is still in doubt. Maybe they'll go on to greatness, or maybe they'll never get off the runway at all.
When we started out, there was so much cash involved that it attracted an element you'd rather not do business with.
In our community, we are encouraged to take up professions like medicine or engineering that offer consistency and job security. Acting is not a 'real' profession.
When people ask if I have any advice for young designers, the best advice I could ever give to somebody is to work for someone else, when you are playing with someone else's money. It is very expensive when you start doing it on your own.