Rhythmic Speech Quotes

Rap is only one end of a whole spectrum of verbal play and virtuosity. Rap is geared for aural pleasure.

Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.

You know, rap is sort of like a form of talking, right? So it's like you can hear, you know, the slaves doing it. You can hear, like, you know, Africans and Jamaicans doing it just kind of as, like, a rhythmic, poetic conversation, you know, to a rhythm.

[True Detective] is an intense show, even in terms of the dialogue - there's a little rhythm to it, in particular in his monologues. I think on those days, he [Woody Harrelson] really had to stay in the zone. Because there's a certain cadence in which that character speaks and talks about life, you know? But then there are other days that he was able to be a little more loose.

I definitely have a gift for language that is rhythmic and attractive to the ear, and I have interesting [verbal] imagery which I guess is a poetic touch.

The voice does go up in a poem. It is an address, even if it is to oneself.

A song ain't nothing but a conversation fixed up to where you can talk it over and over without getting tired of it.

I remember from my earliest years people speaking, you know, in a certain kind of rhythm and telling stories and sharing experiences in a way that was different in Indian country than it was other places. And I was really struck by this and obviously very affected by it, because it's always come out in my songs.

As soon as I was born, my mom said I was humming 'When the Saints Go Marching In,' or something like that, you know? It's in the family. And in that neighborhood [Treme, in New Orleans], I think everybody in the neighborhood has some type of musical influence, even if they don't play instruments or anything. It's the way they talk to you, the way they say your name - it's all musical.

The poet presents his thoughts festively, on the carriage of rhythm: usually because they could not walk.

I'm a great believer in conversational rhythm. I think in terms of rhythmic dialogue. It's so easy, you can talk naturally. It's like peas rolling off a knife. Take the great screen actors and actresses, Bette Davis, Eddie Robinson, Jimmy Cagney, Spencer Tracy. They all talk in rhythm. And rhythm and movement are the life of the screen.

Writing rap songs is about flow, about one word blending seamlessly into the next and creating a thing that is possible to perform in a way that feels natural.

The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to. It has a much more percussive rhythm to it.

There is no doubt that the loftiest written wisdom is either rhymed or in some way musically measured,--is, in form as well as substance, poetry; and a volume which should contain the condensed wisdom of mankind need not have one rhythmless line.

Trinidadians love speaking their own English; it's full of poetic forms and can be playful and lyrical and comical. Trinidadians are verbal acrobats, and I love being on the island just to hear the people speak.

This is what I want in heaven... words to become notes and conversations to be symphonies.