Real Emotions Quotes

We're in the business of using real emotions to bring pretend emotions to life.

My parents' example of a loving, caring relationship, I think, has affected my songwriting a ton and allowed me to start writing love songs that people could connect to without sounding like you're being cheesy, because they're coming from a real place, something that I saw coming up. I think they're a huge influence on my songwriting.

Horror movies can be - I don't wanna say not real, but so over-the-top: you can get scared 'cos things are loud and in-your-face, but these are real emotions that I'm using.

Gratitude: An imaginary emotion that rewards an imaginary behavior, altruism. Both imaginaries are false faces for selfishness, which is a real and honest emotion.

But, especially in love, only counterfeit emotions exist nowadays. We have all been taught to mistrust everybody emotionally, from parents downwards, or upwards. Don’t trust anybody with your real emotions: if you’ve got any: that is the slogan of today. Trust them with your money, even, but never with your feelings. They are bound to trample on them.

One of the most important things to me as a songwriter is to make music that's young and fresh but also soulful and real. I want people to feel like they know me once they listen to my songs.

What fills us is real, sweet, dopey, funny life.

People sometimes say that the way things happen in the movies is unreal, but actually, it's the way things happen to you in life that's unreal. The movies make emotions look strong and real, whereas when things really do happen to you, it's like you're watching television -- you don't feel anything.

Emotions should be real; one shouldn't come across as acting.

A lot of people think the blues is depressing but that's not the blues I'm singing. When I'm singing blues, I singing life. People can't stand to listen to the blues, they've got to be phonies.

I love to be on location. I love to be in other parts of the world. I love to be where I'm reminded about real, you know, emotions. I love to touch things and design things, and I think that, for the actor, it certainly - it certainly helps their performance.

Reality is the richest thing there is, the most important thing there is. Our imagination allows us to live an artificial life that is wonderful, extremely rich, but I don't believe any artist would dare to say that artifice is better than real life.

I do sometimes wonder if people think, 'Oh we'll have her because she cries well.' The odd thing is I don't really know where it comes from. If the script is good, I find I can usually cry without too much trouble - in fact, the hard thing is trying to get me to stop. But I'm not really a crier in real life. I'm not a dramatic person, you see.

One of the things that defines a country song for me is that it's honest. It's not putting on a tuxedo to go eat at the Burger King. It's about a song being emotionally true to itself.

Within the mainstream cinema, I feel you can experiment and make sensible films. It's possible to tell a story with characters and emotions which are real, genuine, and which need not be over the top.

This is personal, she'd said. Real. This moment was too, even if you couldn't see it at first glance. It was fake on the outside, but so true within. You only had to look, really look to tell.

Being honest to who I am led me to write 'If Our Love Is Wrong,' and that allowed me to fully realize the direction I should be heading to - human nature, real emotions, and issues about LGBT.

I'll often use my real stuff in my writing because it comes across as more authentic.

Probably Lloyd in 'Say Anything' is the closest to me - or to who I was at the time. It was just a great love story about people in the '80s, and we all tried to make it feel as real as possible. It was such a wonderful time. We didn't leave anything in the gym; we put it all out there.

To be a performance artist, you have to hate theatre. Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.

I don't like acting things; I like feeling things.

It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.

Teens wanted things that were real, that they connected with, it doesn't have to reflect reality directly. They love 'The Hunger Games' not because it's real in that it happens, but the emotions there are real, and it's very relatable.

You can fake your age or mask it, but the passion that moves the characters has to be real.

Write what you really care about. Write what you want to say because that is the experience that always rates as genuine on the page.