Real Conversation Quotes

I think that having comedy where people talk the way they really talk, when you talk with your friends and whatever, it's really, it's important. Or else you're making stuff that's a little bit watered down and irrelevant.

Instead of the wacky morning show that sounds canned, my team is sitting over there, waiting for me to say something or ask something. And sometimes the reaction is awesome, and sometimes it's terrible. But they're reacting as humans instead of as DJs.

I've done network shows. A director will call me and say, 'Do you want to do this with me?' and I'll say, 'Sure,' but I couldn't do it forever because there's no real expression. That's not how people talk.

My creative is curiosity conversations...All conversations reveal some inner truth, and the information we get from a computer is different than something that becomes a biochemical event, like a real conversation.

The best thing that I bring in my live show is that it's not scripted. It's more of a conversation with my audience. And that's what people like about the show - it's very real. There are mistakes and laughter.

That's why people read books. You get to have the real conversation, as opposed to the pseudo-conversations we have in everyday life.

I've done interviews in one day that went on for fifteen, sixteen hours. And at a certain point, the control over what they're saying breaks down; it becomes different. It becomes really powerful, and for me, real. It becomes out of control.

I've found that if I say what I'm really thinking and feeling, people are more likely to say what they really think and feel. The conversation becomes a real conversation.

I'm just looking for authentic engagement of some kind, and usually, after an hour or more, you get that. Some people talk at you. Some people just want to answer questions, but a lot of times, all of a sudden you drift away, and you don't remember you're on the mic, and you're in something real.

There is no such thing as realistic dialogue. If you [simply recorded] the real conversation of any people and played it back from the stage, it would be impossible to listen to. It would be redundant . . . . The good dialogue writer is the one who can give you the impression of real speech.

I don't mind anyone asking me any questions, I've got nothing to hide. I like it to be as real as it is; that's what I call an interview. I'm not someone who's like 'Right, you can't ask this, that, this, that, this, that.' It's got to be a real interview. I've literally got nothing to hide.

The Internet is a very intimate entertainment experience. I'm in my own apartment talking to people, and I want them to feel like they're with me in my apartment. So if I'm listening to them and taking ideas from them and being honest with how I'm feeling, it resonates even more that we're having a real, actual conversation.

Any conversation I have with anybody that's real is always revealing and inspiring.

I'm a talk-show junkie. I'd rather listen to real folks stumbling to express their own thoughts than to polished puppets reading what others have written.

On the 'Today' show, I feel comfortable because I get to interact with people. I love that interaction. I love hearing other people's stories. I would much rather have that human interaction so it feels like a real conversion than just standing there and demonstrating things to the camera.

I'm myself - knowing I'm doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers. We got along very well without trying to make me look like I'm what I'm not.