Radio Popularity Quotes

Radio has always been just disgusting.

I think what's happenin' is that, with the overflow of music, it's been diluted. There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio.

For years everyone looked toward the demise of radio when television came along. Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.

When people come to the show they think we are a legendary band because they hear us on Classic Rock radio all the time. It is psychological. That's okay - I'm down with that.

From the time I was 8 years old I was on almost every radio show there was.

If it came down to it, I wish people heard different records from me that I know give you a soul R&B sound of music that I know is really my gift, gift. But the ones that usually go are the records that radio, the fans and the clubs really love the most.

On radio, I loved Noel Edmonds's Radio 1 breakfast show - and Tony Blackburn. I can still hear those bloody jingles deep in my brain.

I couldn't imagine life without Radio 4.

You go to Miami, and you might only hear one Tyga song on the radio. You go to L.A., and you might hear six or seven on the radio. There's certain things you do for your city.

If you can go out with your live show and turn people on to that, where you have that fan base that's religious and they're going to come see you when you're in that town, once your radio success is gone and you're not a mainstream guy anymore you can still go out and play your shows.

Radio got behind me, and I'm very thankful for it.

Tango was very popular in Panama at the time when I was growing up. In the Fifties in Panama, the radio stations played all types of music.

The fact that 'Honey, I'm Good' made such a splash and that people were catching it on radio, on Spotify, on Pandora, it's driving everybody to go hear the album.

If people can finally recognize you on radio without being told who it is, that's what you aim for.

When we come on the radio, people will go, 'That's Old Dominion,' 'cause it's a sound that can only be made by whatever the five of us make together.

In the late '90s, R&B was dominant in the radio, and the white kids were taking it mainstream.

I've had so many people tell me that they are shocked that AM radio still even exists with all the different listening options.

Rodgers and Hammerstein didn't mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.

I'm still proud of what I've done, even if it hasn't been the biggest song on the radio or hasn't gone to number one.

There was never a golden era of American radio as far as I can tell.

But I never had that commercial opportunity to be played on the radio, so how could I be popular?

I'm going to make country records back to back for a while - until country radio doesn't want me anymore or until I get my own theater in Branson - one of the two.

I hope radio is more popular than it might seem. There aren't that many radio plays on and I think they have a bit of a bad rep for being not very gripping or low budget or on at funny times.

I used to make fun when I got into the league, and I couldn't believe these old guys that didn't know artists on the radio, like in the weight room.

Each child you have, you love them, but it's a different feeling. That's how it is with songs on the radio.