I would rather be attached to well-made, big-budget films.
The movies that are made more thoughtfully or made or with more ambition often get just get drowned out by the noise.
Because I've made a film with such an amazing director as Tarantino, I'm much more conscious of working with good directors from now on, so that's what's important to me. I don't really care about making a big movie - I just want to make good ones.
If you make a good film, then there's no harm if it achieves commercial success.
I'm not going to take something based on budget and do something just for the sake of it. I want to make good films.
There is no reason why excellent pictures can't be made for $4-5 million.
The R K banner has had this tradition to make good films, and good films always take a lot of time to complete because of the hassles involved.
We work in an environment where your options are to do, you know, Batman 10, so when you get to do a movie that's a really great film like this, people really step up to the plate and enjoy it.
Films need a good direction, strong scripts, and hardworking actors. 'Wazir' has all of these.
I like 'Notting Hill.' If you can do a movie that's simple, but do it well, there's room for that.
I always wanted to make cinema which will entertain the masses, cinema that could be called escapist but is mounted on a realistic scale with high production values.
I have produced my first film titled 'BMW.' It is a thriller, which has been made keeping in mind the international audience and Indian as well. It is an intelligent thriller and well-made, which will hopefully be appreciated in the international circuit.
I don't scoff at the desire to make good movies. I scoff at the quality at poseurs masquerading as masters of the medium.
At HBO, they seem to be well-informed. They make what I think are really quite mature films.
It's about being true to my artistry, which I've been doing. It's super important to do smart films.
I think we just need to have a demand for fresh and nuanced movies.
Nobody really truly supporting independent filmmakers anymore. It's just dire. There's a lot of bad filmmaking, and there's a lot of people worshipping some terrible filmmakers. It's a waste of all of our time, if you don't feel anything. We are an age of YouTube kids. We don't care so much anymore. It's all about marketing.
I don't really care about making a big movie - I just want to make good ones.
The thrill of doing 'Good People' is I love those kinds of stories, and I'm good at them, and it's wonderful to see that material given to a terrific director and a terrific cast.
The thing about 'Spectre' is that it is not the work of hack writers. It does not have a hack director. The actors are not hams.
I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.
I always try and do good films.
Horror film fans are pretty starved for quality. If you do something thoughtful or if you make something good, they're so thankful for it.
It's important to be a part of good films.
I do not want to do the regular heroine roles anymore. I am looking at working with good directors on interesting projects.
