Prop Management Quotes

On 'Saturday Night Live,' you wear so many hats there. You're the prop person, the actor, you're everything.

We have new technology that allows us... After we've blocked it, all the actors usually run over to the monitor and we can see the hallways and what's there. But I find it difficult, because you're in such a large room and you feel so small and inadequate. There's so much space around you and actors always want a prop or something just to make it comfortable.

June Cleaver didn't keep her house in perfect order, the prop man did it.

I don't like to have to depend on someone else to reset the props. It's like, "No, you've gotta take responsibility for it." I know how things fit and feel. To reset that stuff myself, it's easy. The prop guys are hilarious because I'll have one set of gloves and I'll keep reusing them to get the most out of it. They're like, "We've got boxes of these."

I have never had trouble with any actor being able to visualise things. They are amazing. As long as you have your monster head on a long stick, so you can hold it up there and you can wave it around and let them see it and explain it to them, they are just great.

There's some projects you're - where you're worrying that the continuity isn't right because people aren't watching after your hair or wardrobe or props, or you're not sure you're getting shot at the right angle.

Screenwriting you don't necessarily have to do the job of the costume designer and the prop master and the set designer. It's more just about finding the visuals and finding these characters through dialogue.

There was a time that I was The Drifter in NXT, and I did not want to break my guitar because that was the only guitar I had.