Project Flexibility Quotes

I love what I do, and I take projects as they come.

The good thing from my perspective is that nobody puts any pressure on me to say what it's going to be. The backers accept that they don't know what they are going to get.

I think that I'm always open to any kind of project.

You know, I've always been very open to any project.

I'm totally open to it being a movie or a television series or whatever, but truthfully, if no one wants to do it right, I'm also happy for 'Ex Machina' to only ever exist as a comic book.

We believe that anything and everything is possible, regardless if it's a domestic or international project.

We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.

In my experience, each project is what it is, and nothing is necessarily a turning point.

I think the fun thing about doing a project under your own name is that literally anything could be a follow up, it doesn't necessarily need to be a record, it could be film related, it could be book related, it could be anything.

Generally, when I'm going to a new project, I take my own makeup. I'll explain to them what it is that I would like. If they are receptive, we figure it out together. If they're not, I'll be going to back to my trailer and doing my own makeup. And that's the same for hair.

I'm one of those actors who says, "Point me toward the work that matters to me and I don't care where you're putting it. Television show. Movie. Projected on the back of someone's garage." If that's where the work is that's exciting to me and moving, I want to be there.

I realized that filmmaking is an eminently scalable act. No matter how big or how small, there's joys and stresses that will all scale themselves magnificently to fit the production.

A fixed deadline and a flexible scope are the crucial combination.

If films don't work, you have to be realistic and keep taking up television projects.

If I am creating the shots from scratch I may have to spend more time holding the directors hand and therefore have less time to finesse the shot or the lighting etc. but it really all depends on the project. Some films benefit from their spontaneity.