Professional Dispute Quotes

Years ago, NPR tried to stop me from going on "The Factor." When I refused, they insisted that I not identify myself as an NPR journalist. I asked them if they thought people did not know where I appeared on the air as a daily talk show host, national correspondent and news analyst. They refused to budge.

My truculent opponents are out to settle scores that have nothing to do with Sherpa, and I refuse to allow my enemies to drag my Sherpa family into their fight with me.

Well, I don't want to say mad, but there was 'heated' exchanges back in the closing days of OVW when I said that I was running our own business there in OVW and they said, no, we are running their storage closet. They didn't actually say that, but that was how they treated it.

Dean Ambrose is somebody that I broke in with - The Shield - and we had a falling out, and things didn't go very well for us for awhile.

I refused to be filmed getting off a bus twice. The director said, 'I'm an award-winning director. Please do it', and I said, 'I never thought I'd say this, but I'm an award-winning actress with a bad leg, and if your film depends on seeing me get in and out of a bus, we're in trouble.'

I had no interest in continuing with Real Madrid in the way that we were working.

I received a letter from the Reich Ministry of Sports. They want me to split from Joe Jacobs, my manager since 1928.... I really need Joe Jacobs. I owe all my success in America to him.

We were the victims of the new producer but what annoyed me was they told the press we were leaving before us.

I had not been very kind to J. Edgar Hoover. And the field agent had written on - it was sent directly to Hoover - that - the director should see this - 'And, besides, Hentoff is a lousy writer.' And I thought that went a bit far.

I think when I left WWE, Vince blocked my phone number so he never wants me calling him again.

A series of rumors about my attitude, as well as derogatory remarks about myself and my family showed me that the personal resentment of the Detroit general manager toward me would make it impossible for me to continue playing hockey in Detroit.

Whereas my producer literally worked on this thing for 10 years and because I gave that presenter credit to David Lynch, she to this day never gets credit. It really kills me.