Professional Collaboration Quotes

F. Gary Gray, I think, is one of the best directors I've ever worked with in my life, and I'd love to work with him again.

I need a partner in D.C. that cares about jobs.

I've worked with Judd since 'Undeclared,' and once you work with Judd you never stop working with Judd.

I love Jon Hamm. I'm so lucky to get to work with him and work so closely with him. We have a lot of these scenes that are very intimate, and very tender. Those are the kind of things that an actor lives for. Real moments of connection with other actors.

Mr Tony Hopkins says he's willing to do it if he likes the script.

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

I'd love to work with Michelle Williams. I think that she's incredible. She's such a great actress and I love her.

A lot of the things that other people from outside the business would see as crazy or strange are just a natural part of the working process. Preparation is key, and detail and collaboration are the rule, but no matter how many hours you spend preparing, there's always something.

I used to draw and illustrate, but I don't do that anymore because I just like to write. I like to leave the illustrations to actual professional illustrators.

I got to work with Asuka, who is amazing.

Given a choice I would only want to work with Salman again and again, but that's not how the industry works.

Casey Affleck is a really good friend of mine. I know Casey a lot better than I know Ben, even though Ben and I have worked together a lot.

I'd love to work with Rachel McAdams, because she's a great actress.

When I left 'Coronation Street,' I wondered if I could ever be lucky enough to work with such a unanimously wonderful company of good people - and I've just come to that good bunch again.

Any time someone says you have an opportunity to work with Martin Scorsese you jump at the chance.

I've been incredibly lucky with the directors I've worked with.

I've been very lucky to work with great filmmakers. But I think my days of just freely acting regularly, that being my sole creative fulfillment, are gone.

I loved working with Eric Close and J T Walsh.

I think that designers have an incredibly broad creative repertoire. They solve. They create images of perfection for any number of clients. I could never do that. I'm my client. That's the difference between an artist and a designer; it's a client relationship.

I don't know other couples that work together a fraction as much as Nick and I do. We met in a play, and we've done TV and movies, and we just did 'Annapurna,' our off-Broadway show, and we've done theater together several times, so it's just a little bit of everything.

When Sharan called me for 'Rambo,' we were acquainted, but had not worked together. Right from day one, though, there was an easygoing camaraderie between us, which was only amplified by his implicit trust in me and my ability to deliver for his film.

I work with this wonderful five-piece band, The Tony Guerrero Quintet, along with Kate Flannery, who was Meredith the Drunk in The Office, and Tim Davis, who was the vocal arranger on Glee. The three of us sing, and the band is amazing. We've been working together for about two years. So, we decided to do a Christmas album in July.

I have never, ever argued about money with any of my producers because that is the kind of relationship and understanding I have with them.

I only ever asked two people to work with me as a partner. One was Paul McCartney and the other Yoko Ono. Paul and me were the Beatles.

I'd worked with Mel Harris before, I love working with her, she's great.